Secrecy, ethereal seduction and discipline: NYC as the muse for Cucculelli Shaheen’s FW26 Collection
by Laila Musleh
A place known for its constant noise pauses, suspended in stillness. Low light spills into the corners of the Lower East Side, where a gathering of whispers and echoes emerges.
Within the stillness of the city, sits a New York Icon, the Delancey Ballroom. Here, Cucculelli Shaheen unveiled their version of an underground New York, an after hours world told through fabrics, shimmers and silhouettes. This FW26 NYFW, guests were invited into a realm of mystery and ethereality.
Their 22nd Collection, Electric Cosmos, brings a range of after-dark identities dressed in shadowed tones, embroidered jewels and sheer layers. Inspired by Art Deco and Baroque Glam, cosmic dancers grace the runway in ornamented fluid silhouettes, while a quieter force brings sharp lines and weighted craftsmanship. Together, these archetypes mirror the multiplicity of New York, where seduction, motion and power intersect.
Ultimately, this collection is architecture and attitude working side by side. If Art Deco gives New York its bones, Baroque Glam gives its pulse.
Art Deco makes an appearance through verticality, symmetry and controlled structures. The collection is disciplined, but playful nonetheless.
The Deco Deux Arrows Dress and Cape exhibits geometry at its most literal. An opal-gray tulle base is sequined with bugle beads and opal crystals, embroidered with metallic threadwork. Rhombus-shaped embroideries mirror across the body with a plunging V-neckline, a mere testament to architecture.

The Scallop Armor Night Blue Top and Pant Set carries the controlled and symmetrical essence of Art Deco. The silk chiffon pairing of a long-sleeve, cropped high-neck blouse and wide-leg trousers, is adorned with scallop armor motifs, silver tube beads, seed beads, metal paillettes and mini crystals.
At the same time, this pant-set is a perfect coexistence of Art Deco and mysticism. While the symmetry assumes control and power, the fluidity of the voluminous chiffon flared-sleeves brings mysticism to the runway. It acts as softener to Art Deco’s rigidity, bringing movement and dimension to the collection that feels a little bit vulnerable.

The Vis Floralis Caftan and Pant is layering at its finest. The silk chiffon caftan is layered over dark-blue denim wide-leg trousers, ornamented with pink, terracotta, burgundy and carnelian Vis Floralist motif embroidery. A sense of mysticism emerges in the construction of the caftan’s front metal button and a caped back, trailing freely over the trousers.

Baroque Glam asserts itself through shimmer and embellishment. The Columns Degrade Gold Champagne Deco Dress balances precision with release. The dress is cut with a plunging V-neckline with flared sleeves and an unstructured, flowing skirt. The gown is adorned with champagne and gold tube beads, paillettes and metallic trapezoid beads, amplifying the silhouettes luminous surface, creating a glitter-like glow.

Similarly, the Lily Dentelle Degrade Dress transitions gradually from blush to a rich, dragonfruit-toned pink. Tube beads, seed beads, rondelles and metallic threadwork radiate light across the silhouette.
Inspired by a city defined by both its discipline and its liveliness, this collection realizes New York’s atmosphere, where architecture grounds, movement seduces and ornamentation shimmers. In a way, revealing New York’s after-hours to be meticulously constructed but kinetic.